Yura Otvertkin, a romantic from Tsarevo-Kokshaisk, is obsessively in love with aeronautics. In St. Petersburg, disguised, he pretends to be the ace Ivan Piramida. He has to perform at the festival, but he only knows how to fly "according to the books", but he manages not to lose face. After a lot of ups and downs associated with his similarity in makeup with a famous criminal, Yura confesses everything to his beloved and flies already under his real name.

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A look at the broken American immigration system.

The story of two Cossacks from Zaporizhzhya Sich, who had been taken as prisoners by the Turks, but were able to release themselves and get home. But it is going to be a long way and it is very unsafe, so the heroes will find many dangers and obstacles.

All of Universal's greatest classic monsters gather at the Transylvania Astoria Hotel for Frankenstein's monster and his bride's Friday the 13th midnight wedding.

The Mad, Mad, Mad Comedians is a 1970 American animated television special produced by Rankin/Bass Productions. After the Christmas special Frosty the Snowman (1969), it was Rankin/Bass' second hand-drawn animated work to be outsourced to Osamu Tezuka's Mushi Production in Tokyo, Japan. The show aired on ABC on April 7, 1970 before the airing of that year's Oscars. It was a tribute to early vaudeville, and featured animated reworkings of various famous comedians' acts.

Shirokov, an engineer and inventor at an electromechanical plant, becomes a victim of street chaos and is hospitalized for an extended period. Upon learning of the incident, his colleagues do everything they can to ensure that Shirokov's latest invention becomes a part of his beloved plant.

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Captain Murakami takes over as skipper of the Azuma Maru, replacing the well-liked former captain. Murakami forces the crew to work harder than they ever have, creating enmity and exhaustion. Just when the ship has taken a huge catch of tuna in its nets, Murakami learns that his ship is the only one in position to rescue the crew of another ship, sinking in a storm. He must choose between saving the catch or saving lives. Either choice may mean his ruin.